Chapter
three is all about syntax and communication through typography. Syntax is “the process of arranging elements
into a cohesive whole.” I believe that
syntax is extremely important in typography because it requires a great
knowledge of how elements fit into a certain space and still remain legible and
visually appealing. The chapter starts
out talking about the letter. Letters
can be part of a word, but they also stand on their own very well. Often, designers will use letters and images
to create new images. Syntax involves
designers using the letterforms and the white space (the paper) and
manipulating both to compliment and balance each other. When the letterform is not standing by
itself, it is part of the word. Form and
counter forms also exist within the word.
The word suggests union and by adjusting spaces in-between the words and
letterforms, the designer achieves balance and visual clarity. Line, column and margin are highly important
in typographic syntax because this is how the words and letterforms are
arranged into documents and designs.
Whether you arrange lines symmetrically or asymmetrically, the designer
must achieve balance in their overall composition through the lines’ point size,
whether they are unequal or equal, and the placement of punctuation. Lines, columns, and margins aid to the
legibility of the design. With all
these, comes visual hierarchy. Having
knowledge of visual hierarchy is important because this is how the viewer will
be interpreting the design or document.
Divisions of space, different letterforms, and the use of line all aid
this and guide the viewer. This chapter
was extremely relevant to what I am doing right now in one of my other
classes. Currently, one of my
assignments is creating eight compositions using type, a silhouette, and
patterns and lines. These compositions
require knowledge of typographic syntax because we are transforming these
letterforms, using positive and negative space, and still managing to create a
legible, visually appealing composition.
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