Type Connection: Connor Posey

Type Connection
Connor Posey

While doing the dating game, I realize that I am not the best on putting two things on a date. I kept trying to put very different types together. I wanted especially to pair thin types with big and robust types. Apparently the typefaces like to stick with their similar body type when searching for a mate. For example, Univers and Glypha have naturally thin strokes, so they got along happily. Archer and Eurostyle was a heavy-thin coupling that worked out, though. Since they are so completely different in weight, they almost balanced each other out. Archer’s tall thin arches complemented Eurostyle’s compact, thin curves. Also, it was very interesting to learn that typefaces sometimes are not compatible simply due to their place of origin. For example, Gill Sans is used in British Graphic design and would not go on a date with ITC Century, an American type used commonly by the U.S. Supreme Court. Another interesting decisive factor is the time developed and purpose. ITC Century was developed in 1975 with great evidence of historical background. It would not date Utopia. It was much too you and ITC Century did not want to be seen as a cradle robber, and also Utopia did not have any historical influence in its design. Univers and Glypha fit naturally well together because Adrian Frutiger designed them both.

This was an interesting game to play. Not only was it interesting to see the many reasons why typefaces can and cannot work out together, but also the date they went on was also cool. It showed what purpose the pair would be best used for. For example, Univers and Linotype Centennial went to an expensive refined wine tasting due to their refined and elegant forms. I think I now have a good idea of which types can work pretty well together and achieve a certain purpose.