Chapter
2 discusses the visual and structural elements that make up type, as
well as a brief history on where certain aspects come from. For
instance, the origin of Sans-Serif typefaces. It mentions the
influence that the properties of early brushes and reeds, originally
used for creating hand-written text, had on early typography. This
was one aspect of the chapter that I found particularly interesting,
because one wouldn't generally associate the typefaces used on, say,
a computer, with writings that were created hundreds of years ago.
However, the connection that modern type design has with these early
writing styles is undeniable, no matter how subtle.
The
chapter also has an in-depth look at the different vocabulary
elements/parts that make up letter forms, such as ascenders,
descenders, hairlines, and counters. These vary widely between styles
and even within a font family, but their characteristics do not
change. The portion about proportions was another interesting area of
discussion, especially the visual demonstration using the letter 'O'.
The proportion of stroke to hairline can completely change the feel
of a particular typeface. The Ultra Bodoni 'O' seems like something
one would see on the cover a 1930's magazine, while the regular
Bodoni is so tame in comparison, it looks like it might be used for a
newspaper print today, despite having been made over two-hundred
years prior to the Ultra Bodoni.
After
going over certain generic types of type, like Serif, Egyptian,
Sans-Serif, etc., the discussion turns to measurement. Given the
relationship of this section to the project we had just done in
class, I was more than impressed at the level of detail that went in
to early printing. I cannot fathom having to be so attentive to
details when fine tuning the metal type blocks. It's not something
the average person would notice or even think about when reading
their morning newspaper, which is something I think this whole
chapter was aiming at explaining.
This is an image I found interesting for this chapter because it not only explains the forms of the letters, it also creates an illustration with meaningful words using those forms.
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