Chapter
4 is all about legibility, the ability of a reader to distinguish
letter forms and words. It is generally the idea that one wants
to read written words, so designing a typeface that is both unique
and legible is quite the challenge. However, legible does not mean a
typeface has to be bland, boring, or without artistic cleverness.
Certain letters are more important than others to distinguish, such
as a lowercase 'f' and a lowercase 't', as it is fairly common for
these letters to be mistaken for one another.
The
most interesting ideas discussed here involve the way the mind works
when putting together letter forms to form words. The entire word
does not necessarily have to be present for people to understand what
the word is, because of the way we recognize the forms of certain
words.
Another
crucial portion was the discussion of color in typography, the way
certain colors can be read against other colors. In general, high
contrast between type and background is required for legibility. The
smaller the type size, the more contrast is required. Justification
also aids in legibility; I thought it was clever how the column which
discusses the difference between justified and unjustified was made
to be justified, and therefore was more difficult to read than the
following column. It was easy to see how the lack of guidance from
the overall paragraph form and irregular word spacing made for a more
difficult read.
There
was also a neat do's and dont's of typographic details section, which
I found to be extremely helpful. It's basically a list of subtle
nuances that make type work good if it has it and bad if it doesn't,
which is everything in type.
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