Chapter 2: The Anatomy of Type
This chapter covers the foundations
of type, how they are created, why they are created with different sizing,
stroke widths, and also the measurement system that goes into the precise
workings of each character. Since the world of typography began with the hand
written word, the basic form of typography lays on the line stroke that is
created by hand. In some strokes of a letterform, the pen is pushed harder and
therefore makes the stroke wider, whereas hairlines can be seen where a quick
and light hand motion was enacted. The chapter goes over a couple key
characteristics of the letterform. Ascenders are the vertical strokes
heightening a letterform. Finials are the endpoint of a letter stroke. Serif is
the stroke that exists on the end of the strokes of the lines that add to the
letter and make them appear more refined and classic. Sans serif is just the
opposite. Other parts the letterform include bows, stems, x-heights, eye, spur,
vertex, etc. After computers and typed text became a thing, and now much more
popular than written text, the typefaces have evolved drastically. With this,
the typefaces have expanded into modern looks and forms.
And now measurements
are not done with lead! It is done with points and picas. Depth is done is
points and length is done in picas. This plays a huge role in the different
versions of the typeface in its various font families. There is elaboration,
making the text more unique. There are condensed, light condensed, bold, bold
condensed, and expanded texts. These contribute to the mission of the message
the designer is trying to bring across to the audience. Also, italics can be
used as a device of emphasis and other various uses.
Type has many
different aspects, and designers find it a challenge to combine each aspect
into the type choices to best evoke their message to the audience. Type can
make or break a layout, but with the correct combinations of family, size, style,
and proportions, the text will contribute perfectly to the overall composition.
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