Skai Stundziaite
Alignment – Precise arrangement of letterforms upon an
imaginary horizontal or vertical line
Ampersand – Typographic characters representing the word
Base Alignment – A typesetter or printer specification that
the baseline for all letters should be horizontal, even in a line of mixed sizes
or styles; also called baseline alignment.
Baseline – An imaginary horizontal line upon which the base
of each capital letter rests.
Bezier curves – A type of curve with nonuniform arcs, as
opposed to curves with uniform curvature, which are called arcs. A Bezier curve
is defined by specifying control points that set the shape of the curve, and
are used to create letter shapes and other computer graphics.
Bitmap – A computerized image made up of dots. These are ‘mapped’
onto the screen directly from corresponding bits in memory. Also referred to as
paint format.
C. and L.C. – Used in marking copy, to instruct the
typesetter touse capitals and lowercase.
Cap height – Height of the capital letters, measured from
the baseline to the cap line.
Caps – Letters larger than – and often differing from – the corresponding
lowercase letters.
Caption – Title, explanation, or description accompanying an
illustration or photograph.
Cascading Style Sheets – Web-site design software permitting
the specification of type characteristics such as type size, letter-, and
line-spacing.
Character – Symbol, sign, or mark in a language system.
Colophon – Inscription frequently placed at the end of a book
that contains facts about its production.
Column guide – Nonprinting lines that define the location of
columns of type.
Condensed – Letter forms whose horizontal width has been
compressed.
Copyfitting – Calculating the area that will be occupied by
a given manuscript when set in a specified size and style of type.
Counter – Space enclosed by the strokes of a letterform.
Cursor – Term for the pointer or insertion point on a
computer screen.
Drop Initial – Display letterform set into the text.
Egyptian – Typefaces characterized by slab-like serifs
similar in weight to the main strokes.
Ellipses – Three dots used to indicate an omission in quoted
material.
Em – The square of the body size of any type, used as a unit
of measure. In some expanded or condensed faces, the em is also expanded or
condensed from the square proportion.
Em dash – A dash one em long. Also called a long dash.
Em Leader – Horizontal dots or dashes with one em between
their centers.
En – One-half of an em.
En Dash – A dash one en long. Also called a short dash.
EPS (Encapsulated PostScript) – A computer format for
encoding pictures. These can be stored, edited, transferred, and output in the
form of structured PostScript code.
Expanded – Letterforms whose horizontal width has been
extended.
Export – To send text, graphics, or layouts created in one
program from the computer memory in a form suitable for use with other
programs.
Face – The part of metal type that is inked for printing.
Also another word for typeface.
Family (Type Family) – The complete range of variation of a
typeface design, including roman, italic, hold, expanded, condensed, and other
versions.
Fit – Refers to the spatial relationship between letters after
they are set into words and lines.
Flush left (or right) – The vertical alignment of lines of type
at the left (or right) edge of a column.
Folio – Page number.
Font – A complete set of characters in one design, size, and
style. In traditional metal type, a font meant a particular size and style; in digital
typography a font can output multiple sizes and even altered styles of a
typeface design.
Footer – An identifying line, such as a page number and/or a
chapter title, appearing in the bottom margin of a document. Footers repeated
throughout a document are called running footers or running feet.
Format – The overall typographic and spatial schema
established for a publication or any other application.
Grayscale – An arbitrary scale of monochrome intensity
ranging from black and white, with a fixed number of intermediate shades of
gray.
Grid – Underlying structure composed of a linear framework used
by designers to organize typographic and pictorial elements. Also, a film
configuration and used in phototype settings.
Gutter – Inner margin of a page in a publication.
Hairline – Thinnest stroke on a typeface having stokes of
varying weight.
Hanging Indent – In composition, a column format in which
the first line of type is set to a full measure while all additional lines are
indented.
Hanging Punctuation – Punctuation set outside the column
measure to achieve an optical alignment.
Header – An identifying line at the top margin of a
document. A header can appear on every page and can include text, pictures,
page numbers, the date, and the time. Headers repeated throughout a document
are called running headers or running hears.
Heading – Copy that is given emphasis over the body of text,
through changes in size, weight, or spatial interval.
Icon – A pictorial representation. The elemental pictures on
a computer screen used to represent disk drives, files, applications, and
tools, etc., are called icons.
Import – To transfer text, graphics, or layouts into a program
in a form suitable for its use.
Indent – An interval of space at the beginning of a line to
indicate a new paragraph.
Initial – A large letter used at the beginning of a column;
for example, at the beginning of a chapter.
Interletter Space – The spatial interval between letters,
also called letterspacing.
Italic – Letterforms having a pronounced diagonal slant to
the right.
Justified Text – Copy in which all lines of a text –
regardless of the words they contain – have been made exactly the same length,
so that they align vertically at both the left and right margins.
Kerning – In typesetting, kerning refers to the process of subtracting
space between specific pairs of characters so that the overall letterspacing
appears to be even.
Ligature – A typographic character produced by combining two
or more letters.
Line Breaks – The relationships of line endings in a
ragged-right or ragged-left setting. Rhythmic line breaks are achieved by
adjusting the length of individual lines of type.
Line Spacing – The vertical distance between two lines of
type measured from baseline to baseline. For example, ’10.12’ indicates
10-point type with 12 points base-to-base (that is, with 2 points of leading).
Masthead – The visual identification of a magazine or
newspaper, usually a logotype. Also a section placed near the front of a
newspaper or periodical containing information such as names and titles of
publishers and staff, along with addresses.
Menu – A list of choices in a computer application, from
which the user selects a desired action. In a computer’s desktop interface,
menus appear when you point to and click on menu.
Negative – The reversal of a positive photographic image.
Oblique – A slanted roman character. Unlike many italics,
oblique characters do not have cursive design properties.
Old Style – Typeface styles derived from fifteenth- to
eighteenth-century designs, and characterized by moderate thick-and-thin
contrasts, bracketed serifs, and handwriting influence.
Orphan – A single word on a line, left over at the end of a
paragraph, sometimes appearing at the top of a column of text.
Outline Font – A font designed, not as a bitmap, but as
outlines of the letter shapes that can be scaled to any size. Laser printers
and image setters used outline fonts.
Paragraph Mark – Typographic elements that signal the
beginning of a paragraph. For example, ¶.
Pica – Typographic unit of measurement; 12 points equal 1
pica. 6 picas equal approximately one inch. Line lengths and column widths are
measured in picas.
Pixel – Stands for picture element; the smallest dot that
can be displayed on a screen.
Point – A measurement of size used principally in
typesetting. One point is equal to 1/12 of a pica, or approximately 1/72 of an
inch. It is most often used to indicate the size of type or amount of leading
added between lines.
Ragged – Lines of type set with equal interword spacing,
resulting in irregular lines lengths. Also called Unjustified type.
Roman – Upright letterforms, as distinguished from italics.
More specifically, letters in an alphabet style based on the upright serifed
letterforms of Roman inscriptions.
Run-around – Type that is set with a shortened line measure
to fit around a photograph, drawing, or other visual elements inserted into the
running text.
Running Head – Type at the head of sequential pages,
providing a title or publication name.
Sans serif – Typefaces without serifs.
Serif – Small elements added to the ends of the main strokes
of a letterform in serified type styles.
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